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Swords &
Sorcery |
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Fantasy |
Science Fiction
& Fantasy Books - By Author
Our favourite authors and their books:
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Douglas Adams One time Doctor Who script editor and
reluctant writer, Adams had a stunning hit with the radio series The Hitchhiker's Guide to
the Galaxy. He has gone on to produce irregular, erratic, but always entertaining books in
the humorous science fiction field.
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Brian Aldiss Though identified
with the sometimes extreme new wave of the sixties, Aldiss has always been a storyteller,
and though his books can sometimes be challenging they rarely fail to entertain. |
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Isaac Asimov
The prolific Asimovs greatest concepts were his excellent robot stories, and the
1950s Foundation trilogy. Always packed with ideas and adventure, if short on three
dimensional characters. |
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Alfred Bester
Arguably the writer who transformed
comfortable forties and fifties SF into the edgier, fast paced, more
sophisticated work of the sixties, Bester's top novels combine a film noir
grittiness with a dazzling flow of ideas. If you haven't read Bester, you've
something to look forward to. |
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James Blish Sadly forgotten, James
Blish was one of those rare hybrids who could produce science fiction about people or
about technology. His landmark books are the cities in flight series, with the fascinating
concept of spindizzy motors that lift whole cities into space, and the soul searching,
thematically link books Black Easter, A Case of Conscience and Doctor
Mirabilis. |
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Ray Bradbury Bradburys
science fiction is like nothing else. His closest to pure SF is Fahrenheit 451, but
most of his books, even those with apparent science fiction content like The Martian
Chronicles and The Illustrated Man, veer into fantasy. Hes at his best
when conjuring up the fears and delights of small town boyhood as in the wonderful Something
Wicked This Way Comes. |
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John Brunner
Sadly neglected now, in the 60s and 70s, Brunner was a star of the SF
scene. He wrote a lot of books, producing an output that could occasionally
be so-so, but his great books are up among some of the best of the edgy
science fiction of the period. An essential part of any SF collection. |
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Arthur C. Clarke
One of the best known science fiction authors thanks to his work on the classic SF film,
2001, his TV series and his 1945 prediction of the communications satellite, Clarke is of
the hard technology school. His visions of the future often involve the arrival of some
advanced alien technology, and picture a world where current organised religion has
outlasted its usefulness. Look out for The City and the Stars, a lovely quest
story with a real sense of wonder as a dying, high-tech city finds a new future, and Rendezvous
with Rama, probably his best development of the shock arrival of an alien artefact. |
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Stephen Donaldson
Mainly a fantasy writer, best known for his first success, the dark Thomas
Covenant books, Donaldson has had considerable success with his science
fiction Gap series. |
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Alan Garner
Garner is one of those writers who, though mostly aiming at children and young adults,
produces books which are readable by anyone who is prepared to suspend disbelief and enjoy
fantasy. His books have matured from the early adventure fantasies to dark mixtures of
time where the past and the present mingle uneasily in a very mysterious way. |
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Joe Haldeman
Haldeman's books are often gutsy adventures, but there's an underlying degree of thought
that puts them apart from many others. He came to fame with Forever War, which was an
intentional counter to the delight in violence of Heinlein's Starship Troopers - from
there he went on to win regular awards. A reliable, readable writer. |
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Robert Heinlein
Once a huge name, Heinlein is less visible on the shelves these days, possibly because his
technocratic viewpoint has lost popularity. He had three distinct phases his early
space operas, his middle work, which broadened to have more people involvement, and his
later, sprawling stuff that got positively odd. He was probably at his best in The Moon
is a Harsh Mistress. Stranger in the Strange Land marked the move to his third
phase, but is still tightly written enough to be worth reading. |
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Frank Herbert
Herbert wrote a good number of science fiction novels, but the one book Dune and its
sequels dwarves the rest - and much of the remaining science fiction canon. Herbert's
ability to fill out the detail of a culture is awesome, and his remarkable sequence merits
several re-readings. |
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Madeleine L'Engle
L'Engle is a prolific US writer of children's/young adults' fantasy - but she writes it so
well that it is still very readable as an adult. Her masterpiece, A Wrinkle in Time has to
be one of the top children's books ever written. |
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Mervyn Peake There's
no doubting it - Peake was a one-off. His masterpiece, the Gormenghast
trilogy lies somewhere between a fantasy and the caricature world of
Dickens. His work gets stranger still when it is brought to the 'real' world
in Mr Pye. In the end, you've just got to try it. |
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Frederik Pohl
Pohl rarely fails to entertain. He has written plenty of straight stories, like his alien
encounter series beginning with Gateway, but its probably for the dry humour
of books like The Space Merchants (with Cyril Kornbluth) that he is best known. |
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Terry Pratchett The ultimate
fantasy humorist, Pratchett has passed the 20 mark on his Discworld series. The technique
is simple. Pratchett takes a specific topic and applies to it the peculiar logic and
personnel of the Discworld to turn it into a comic masterpiece. Actually, the technique
isn't simple - but Terry Pratchett makes it seem like it is. |
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Robert Rankin
After Terry Pratchett, the master of SF/fantasy humour, Rankin depends more on sheer
insanity than simple jokes. His characters vary from likeable layabouts to the downright
weird. Rankin's humour is at its best when putting strange, occult or extra-terrestrial
occurrences alongside the everyday. |
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Keith Roberts The doyen of alternative histories, Roberts paints a glorious picture of
civilisations where history has diverted from our own. Present days where steam is the
most advanced form of power, or huge manned kites are a major feature of a feudalistic
society are richly portrayed. Try Pavane, Kite World or Molly Zero. |
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J. K Rowling
This unique phenomenon of modern writing shares with the rest of us a total
bewilderment of just what has made the Harry Potter phenomenon such a global
success. There have certainly been better fantasies that straddle the
children/adult reading boundaries - see Alan Garner
or Madeleine L'Engle, for instance - but this
shouldn't detract from the fact that Rowling's books are solidly crafted and
a delight to read. |
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Bob Shaw A consistent writer who has changed his area from challenging science
fiction to writing more humour these days, but manages a good balance of ideas and people
in his stories. Well worth pursuing. |
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J. R. R.
Tolkien
It may have been a while since Tolkien's books were attracting attention the
way they are again now thanks to the feature films of the Lord of the Rings,
but this remarkable writer of academically inspired fantasy has never
dropped out of popularity. Rowling may be the mistress of child-centred
fantasy, but Tolkien invented intelligent sword and sorcery and remains the
master. |
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H. G. Wells
Arguably the father of modern science fiction, Wells was a prolific writer
in everything from history to romance. Occasionally deadly dull, but when he
got his storytelling right, an absolute master. |
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Gene Wolfe a fantasy writer with overlaps into science fiction. His writing is very
evocative, and often drops inadequate characters into impossible situations. A real
delight. My favourite is There Are Doors, but its hard to go wrong with
Wolfe. |
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Roger Zelazny Equally at home with fantasy and science fiction,
Zelazny has produced one of the longest running series in existence - the Amber books -
plus some brilliant one-off novels. Sometimes a lazy writer, at his best, Zelazny is
stunning. |